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Tag: Monica A. Hand

DiVida lives within her means

Eats beans

Sleeps on the sofa

Homeschools her progeny

Stuffs cardboard in her shoes

Washes her underwear in the sink

Grows tomatoes and cucumbers on windowsills

Spends her pension on travel to and from alternative universes

The President interrupts her favorite TV show with talk:

We will invest in medical research.

We will invest in clean energy.

We will invest in job training.

We will invest in education.

The rich don’t need another tax cut–not if it means seniors can’t eat.

Sapphire mimics: million, billion, trillion—say it fast bet you choke on

your own spit

I only got two dollars in my wallet

I can’t afford the American dream

Pass the joint and put some ice in my Hennessy

from DiVidaFind more by Monica A. Hand at the library

Copyright © 2018 Monica A. Hand
Used with the permission of The Permissions Company, LLC on behalf of Alice James Books.

The Highway Patrol stop DiVida

They want to see her

residency status

all she has is my passport

my picture

my place of birth

my expiration date

she tries to explain she is I

tells them

she is your try to do right

walk right talk right she

walk the straight line obey

she

never get stopped by the police

she

when they look at her in disbelief she tells them

she is Skip Gates and this is her house I

wouldn’t have been so nice and stagehand about it

I’d be, What the Frankenstein?

they’d wish they

had kept on going with their blinking lights

she wants to tell them

this ain’t South Africa it’s the USA she doesn’t want nobody

to (fill in the blanks)

she knows I don’t have any time for backroads logic

I’m sorry, Officers, I say, I forgot my ID.

from DiVidaFind more by Monica A. Hand at the library

Copyright © 2018 Monica A. Hand
Used with the permission of The Permissions Company, LLC on behalf of Alice James Books.

This program is supported in part by a grant from the Idaho Humanities Council, a State-based program of the National Endowment for the Humanities.

Any views, findings, conclusions, or recommendations expressed in this (publication, website, exhibit, etc.) do not necessarily represent those of the Idaho Humanities Council or the National Endowment for the Humanities.