Skip to content →

Tag: Franny Choi

Shokushu Goukan for the Cyborg Soul

When it’s demon cephalopod versus schoolgirl, it should be obvious

whose eyes to take. Nothing is more frightening than looking

and loving what you see. Nothing is sexier than a rumor

of shredding you can pornhub with saliva and thirsty nerves.

I’m a net teeming with pervy fingers, reaching for anything

that will bite me back, any promise of stoppage—

A cyborg woman touches herself for three reasons:

1. to inspect the machinery for errors;

2. to convince herself she is a mammal;

3. to pull herself apart.

Each tentacle of an octopus contains brain matter and a personality.

Fun fact: all my children-arms want to fuck each other. Okay,

so I am both the woman holding the camera and the woman

being opened by it—nothing special about that.

I am only a cuttlefish lying open-jawed under the sand,

a squid flashing red as it pulls a fishgirl into its beak. I am

just trying to sleep. To feed. To fill

myself and grow larger from it.

Or: I am only trying to slither back into my first skin.

Or: I am only trying to remember how it felt not to leak.

from Soft ScienceFind more by Franny Choi at the library

Copyright © 2019 Franny Choi
Used with the permission of The Permissions Company, LLC on behalf of Alice James Books.


To answer your question, yes,

I find myself wanting less and less

to fuck the dead boy who was mine

before he was nothing.

He is nine years younger than me now—a boy

who still smokes blunts in his dorm room,

by which I mean he does none of that

because he is dead. Because his body

is no body now, but wet earth.

Meaning I should instead desire

the bellies of flies. Moth wings

unfolding wet from their shells.

Should hunger for the fish that ate

the fish that ate the plankton

that took his once-body dust

into its gullet. The boy whose body

was the first to enter mine is breathing

from too many mouths now.

He is gilled, wet leaves, coral,

all things that live but don’t know it,

don’t know they were once a boy

who peeled off my wet jeans,

kissed the insides of my knees

in his parents’ house, who came to me

love-addled one night, saying,

listen no matter listen

always i’ll never

from Soft ScienceFind more by Franny Choi at the library

Copyright © 2019 Franny Choi
Used with the permission of The Permissions Company, LLC on behalf of Alice James Books.

A Brief History of Cyborgs

Once, an animal with hands like mine learned to break a seed with two

stones—one hard and one soft.

Once, a scientist in Britain asked: Can machines think? He built a machine,

taught it to read ghosts, and a new kind of ghost was born.

At Disneyland, I watched a robot dance the Macarena. Everyone clapped, and

the clapping, too, was a technology.

I once made my mouth a technology of softness. I listened carefully as I drank.

I made the tools fuck in my mouth—okay, we can say pickle if it’s easier to

hear—until they birthed new ones. What I mean is: I learned.

There was an animal who learned to break things, and he grew and ate and

grew and ate and

A scientist made a machine girl and wedded her to the internet. He walked her

down the aisle and said, Teach her well. The trolls rubbed their soft hands on

their soft thighs.

The British scientist was discovered to be a soft man. He made a machine that

could break any code, as a means of hardening a little.

At Disneyland, I watched lights move across a screen and, for a moment, forgot

the names of my rotting parts. In this way I became somewhat more like a light,

or a screen for lights.

The scientist’s daughter married the internet, and the internet filled her until

she spoke swastika and garbage, and the scientist grew afraid and grew and

The animal rose and gave itself a new name. It pointed to its spine, its skilled

hands. It pointed to another animal and said animal / alien / bitch / stone

The scientist called me hard, and I softened my smile. The scientist called me

soft, and I broke sentences to prove him wrong and what and what did I prove

then did I

Even blood, when it comes down to it, is only a series of rules.

I made my mouth a jar until technology squirmed and bubbled. I scooped

up the foam and called it language. The audience applauded. To prove them

wrong, I became a screen of lights. I had no thighs at all.

The scientist grew afraid and took his daughter back. He broke her open like a

seed, but the seed was already dry.

The internet pointed to my mouth and said blood / blood in the stool. I said,

Come in. Make yourselves at home. I opened my glittering jaw. My hunger, too,

has both hard and soft parts.

Here, in a seed, is a cyborg: A bleeding girl, dragging a knife through the sand.

An imaginary girl who dreams of becoming trash.

Can machines think / come here let me show you / ask me again

from Soft ScienceFind more by Franny Choi at the library

Copyright © 2019 Franny Choi
Used with the permission of The Permissions Company, LLC on behalf of Alice James Books.

This program is supported in part by a grant from the Idaho Humanities Council, a State-based program of the National Endowment for the Humanities.

Any views, findings, conclusions, or recommendations expressed in this (publication, website, exhibit, etc.) do not necessarily represent those of the Idaho Humanities Council or the National Endowment for the Humanities.