I slept in a study & woke in a kitchen. Yes,
Every night from when I showed up. Showing up
Is half the battle & better ready than fed. So I can
Close the zipper on my skirt all the way, I hold my
Tongue. Sure, take a look around—you’ve all the fixings of
A confession: spinning wheel, long wooden matches, long
Sleep, rough mattresses, gold & hair, golden-haired beauty,
Dark beauty, strewn shoes, apples to apples, so much dust
To dust. The house ran a touch hot, is how I’d say it.
Yes, there was two of me. The other was an infernal
Lightweight, so pulped with fear, couldn’t stomach
Any of it, like gagging on an aspirin, a rush of spit
To the tongue, a giving of the throat. We spoke
In double cross; it all was very hush-hush. That one
Got gone, second chance she got. Oh, what I can’t
Tell you, it’s eating me up inside. My stomach burns
With love for her—my eternal bad. I’m asking you
For real: how does anyone know when they’re good
& ready? I’m saying, butter don’t melt in this mouth—would that
It were true—but it softens, long as I tell it to. I was taken in,
Once. Once upon a time, I was prep. I worked a line. I was
Back of the house. Sugar, there’s two kinds: the ones that dull
Their knives in a second drawer & the ones that mise-en-
Place them on a counter. My work, it earns stars. Be my guest,
Check my complexion for a last known address; check my
Oven scorch for downfall. My best evidence jilts me still.
from Neck of the WoodsFind more by Amy Woolard at the library
Copyright © 2020 Amy Woolard
Used with the permission of The Permissions Company, LLC on behalf of Alice James Books.