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Fear of Farms

After misreading the title of Muriel Rukeyser’s Third Elegy, “The Fear of Form”

What would that be? The row upon row upon row

then stupid turn of the tractor & back

grain elevator, combine, machine loose on

the hillside, turned over, the bloody arm

the stink of hogs, of pigs, of money

Hot humid afternoons with hay sticking to hands

& legs, hair matted to brow & neck

bees roused by the baler, swarming—

a gray cloud of hot sting on face & arms

white scar tissue where

the pot of boiling water for sterilizing Mason jars

tilts & scalds forearm & top of foot

in the shape of a sandal strap

Copperheads come quick from the cool foundation

of the root cellar first warm day

& nests of black snakes open out across the field

adrenaline rush of hop & jump over them

Rat poison rust & splinters, the catch of blades

bats swooping low the rabid, unpredictable

rumble of black bears over the picnic table

the girlish scream of the bobcat

Always something doesn’t work needs to be fixed

have to drive three places for parts

all day on edge lost time in repair

lost days of rain

Dark in the morning   already tired up   at first light

no mind for reading or thinking, low ceilings

picture a bumper crop good corn, early

more help with the haying

then supper & evening chores an hour on the front porch

check next day’s weather on TV

Even in sleep the fields are flooded

cattle   loud & thin at the barn door

the slightest lack of attention

can kill self or other   constant alertness

& no one to take my place

Who else would plough this land?

Who, if not I, will do all this?

from Dear AllFind more by Maggie Anderson at the library

Copyright © 2017 Maggie Anderson
Used with the permission of The Permissions Company, LLC on behalf of Four Way Books.

Published in Maggie Anderson Poems

This program is supported in part by a grant from the Idaho Humanities Council, a State-based program of the National Endowment for the Humanities.

Any views, findings, conclusions, or recommendations expressed in this (publication, website, exhibit, etc.) do not necessarily represent those of the Idaho Humanities Council or the National Endowment for the Humanities.