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Category: Jeffrey Thomson

Two Halves of the Skull of John the Baptist

transparent crystal, facial sections of a human head, silver plate

Amiens Cathedral, France, and the Basilica di San Silvestro in Capite, Rome

he was not the one

Salome wanted

he wore

his head

a goat’s skin

she was the one

the one

who cried

John

in her wilderness

he lived in

a palace

a wild desert

of moon

he was the coming of

there is always

the light

another

light shone

she was the one

in his face

who took his head

he called the dove

she looked

down

upon his head

he was not the one

shoulder bare

who walked

bright

into a Jerusalem

the silver

paved with palms

spun with

there is always

moonlight

another

from Museum of Objects Burned by the Souls in PurgatoryFind more by Jeffrey Thomson at the library

Copyright © 2022 Jeffrey Thomson
Used with the permission of The Permissions Company, LLC on behalf of Alice James Books.

The Tale of the Grief Stopper

The Tale of the Grief Stopper

A stone created by this river is called the pausilypos. Anyone grieving

who finds this stone is immediately relieved of the pain which holds him.

—Pseudo-Plutarch

On the day another boy

was shot, I took a stone

from this river. On the day

I heard his name, I lifted it.

I held it. It glittered

in the summer sun.

Aspens fluttered.

Cicadas thrummed.

I caressed its small, soft

skull. The boy was six-

years-old. He was

at a garlic festival

when he was shot.

Greeks placed bulbs

of garlic on cairns

at cross-roads—a gift

for Hecate—as protection

from demons.

It was the son of Poseidon

who threw himself

into this river when

his own son marched

against his neighbors

and was killed. He was

held down by water,

by the water’s hands

which are not hands

the way water is not grief.

His grief turned the river.

Now all we have are stones.

They are hard and small

like something in my shoe.

Like someone is walking

on my soul. He was six-

years-old. The river

is dry now.

The water is gone.

Aspens quake

in the bright air.

Cicadas crackle.

All that’s left

are stones.

from Museum of Objects Burned by the Souls in PurgatoryFind more by Jeffrey Thomson at the library

Copyright © 2022 Jeffrey Thomson
Used with the permission of The Permissions Company, LLC on behalf of Alice James Books.

Skull of a Young Tightrope Walker Who Died of a Broken Neck, 1934

human skull, glass

Mudder Museum, Philadelphia

I     am     more

than        those

last     seconds

wobble      and

then            the

evaporation

of             hope

grace     on    a

wire     I     was

once

elegance

perfect

wonder

almost

falling            is

harder      than

not       anyone

can     walk     a

wire           only

the   best   can

pretend        to

fall                for

nothing’s

easier        than

failure

there’s

a    quick    grip

on    the    stale

absence

of the air

then ground

living is hard

hard     is      an

only           child

making

a  pieta   in  his

mother’s

arms   hard   is

a           mother

walking

away

from Museum of Objects Burned by the Souls in PurgatoryFind more by Jeffrey Thomson at the library

Copyright © 2022 Jeffrey Thomson
Used with the permission of The Permissions Company, LLC on behalf of Alice James Books.

Han Solo in Carbonite

“I will not give up my favorite decoration”—Jabba

adorns the wall in the palace
with a small regalia of dials
and knobs he is well-lit
gallery style is elegant is

tasteful he has found a small
peaceful alcove of his own
heroism to hang in in
beautiful stasis beside the
gore and tilt of his everyday
life for he has run every day
from the empire of his own
choices his whole story a
version of the word escape
we have all watched so many
times we know the story by
heart so when he walks into
that contraption at the end
of the film the descent into
flashing lights and smoke
into technology and
Chewbacca howling we see it
is his last free step even
though he will escape the
carbonite and return he is
still in that moment he is art
in that lonely lovely alcove
of a desert palace

from Museum of Objects Burned by the Souls in PurgatoryFind more by Jeffrey Thomson at the library

Copyright © 2022 Jeffrey Thomson
Used with the permission of The Permissions Company, LLC on behalf of Alice James Books.

The Foot of Mary Magdalene

Silver, glass, bone

the church of San Giovanni Battista, Rome

When they were set afloat

in a boat without sail or rudder

in the sea off of Galilee—

their lord dead, risen, and gone—

it wasn’t a metaphor.

The sea shone hot and greasy

with summer. Fish perhaps

leapt up ladders of their own

bodies to climb into the mouths

of Magdalene, Lazarus still

stinking of death, and Martha,

her servant heart waiting

to be called.

Some people say

they landed in France, some

in Ephesus, that place of mystery.

Some people say Magdalene

lived thirty years in a cave,

was fed bread and water

through the window by Martha

until her body became a box

of glass.

Or she was raised

into the sky by an angelic chorus

and fed the nectar of heaven

that tasted of certainty and stone.

Or she traveled to Rome and

brought an egg to Caesar

Tiberius, a red egg. Rebirth

and all that.

But after her death

they divided her, these

same people, a tooth there,

a jawbone here, her arm

in London. But here in

Rome rests her foot:

elegant, thin, silver-bronze

as scales, frozen and glamorous

as a fish made of stone.

Such division was unsurprising.

Mary, really, she was used

to it. But back in the boat,

their feet burning on the hot

staves, they are still wondering,

the three of them, where they will

land, what they will do without him.

The hot sun, the water, and still

the fish leap into their mouths

like answers to questions

they have not yet learned to ask.

from Museum of Objects Burned by the Souls in PurgatoryFind more by Jeffrey Thomson at the library

Copyright © 2022 Jeffrey Thomson
Used with the permission of The Permissions Company, LLC on behalf of Alice James Books.

This program is supported in part by a grant from the Idaho Humanities Council, a State-based program of the National Endowment for the Humanities.

Any views, findings, conclusions, or recommendations expressed in this (publication, website, exhibit, etc.) do not necessarily represent those of the Idaho Humanities Council or the National Endowment for the Humanities.