And half tenderly, half lazily,
With a kiss you brushed my hand—
And the eyes of mysterious, ancient faces
Gazed at me…
—Anna Akhmatova, “Confusion”
A sound comes up from the northern woods,
dark and sugary. Maybe, I think, not sure,
it’s only a goshawk. Yet maybe, just maybe
a Russian boy who jumped off the top of a tree
with his umbrella open, like sky above steppe,
and landed to the applause of the grass and,
without skipping a beat, picked up a tremulous
tune. I have to pass it on—but how? I’m not
saying it doesn’t make sense to stay at home
between books and the kids, yet I tend to forget
it escapes me, the summer league results,
for example, but I remember a teapot of clay
and the perfect patchwork stains on its circular
lip. I cover them with my tongue. I’m as precise
in my daily routine as the bell of a suburban
church, of equal ease to travelers and locals,
hatching plans for action among the extended
evening shadows. Yes? No? I don’t know, I have
no idea. All I know is that butterflies, freed
from tapestries, would not survive on their own, unless
for paper peddlers pedaling through alleys of trees,
these postmen of lightest sleep, as the dead poet
would have said, tossing out rolled-up bundles
of news, subscribers can’t read them, written
in the language of forgotten tribes who lived here
well before. They put their warriors in burial grounds
and committed their women to ash. They rule after death
and newspaper editorials keep praising them, until the cry
of a newborn breaks into guffaw. Yes? No? No choice.
Under an umbrella, I write the lines a soldier sings.
from Without AnesthesiaFind it in the library
Copyright © Persea Books 2011
Used with the permission of The Permissions Company, Inc.
on behalf of Persea Books.